I’ve been taking part in a monthly late night opening of Loveone in Ipswich on the last Friday of every month. The shop is where our I Make Fun Stuff concession is located as well as the Subterranean Arts gallery and TRAM vinyl record shop.
This month our friends at Applaud coffee shop next door also joined in and served red lentil, chickpea and chilli soup with homemade flatbread. You’ll see a picture of that further down.
For these events I’ve been offering my services in brush lettering. To be honest it really scares me as I feel a lot of pressure to get it perfect and I’m still a rookie at this technique but I have tried to start saying yes to things that put me out of my comfort zone.
A little warm up to help the flow of the brush and loosen up my hand and wrist. Now I think about it I should really do some warm up exercises before I start these sessions. I may be less likely to make mistakes! Which was a bit of a problem last night and spelling mistakes! Oops!
Here you can see the delicious soup and flatbread from Applaud and another practice piece of brush lettering. I got a few commissions last night and a few the first time I did it so I’m going to keep doing it, keep practising and I’ll give you an update from the next one. The theme is Cosy!!
I’ve been working on a commission for a good friend recently which has been lots of fun as it’s been an opportunity to work on my brush lettering for clients rather than just for fun or using my own ideas. This is a process that crosses both analog creating and digital (which is not my forte) so I thought I’d give you an idea of how I go from idea to finished product.
The first thing I do is practise the letters and words I’m going to be drawing. I find some letters more difficult than others, especially “S” and “d” and I also like to try different styles.
I like to use the Kuretake Zig BrusH20 for brush lettering. This yellow one is the detailer brush. The watercolours are a cheap set I bought in the States by Artists Loft. It’s about $5 and is good to travel with or take on a drawing/painting trip because they’re super light and it doesn’t matter if they get bashed up a bit. I paint in black because that’s easiest to trace in Adobe Illustrator.
Once I’ve got the words right I scan them into Adobe Illustrator at the highest resolution I can and use the Image Trace function to, well, trace them. There is a great tutorial here that explains the process and the easiest way to do it. I often have to use the Pen Tool to adjust some of the errors that come form the Image Trace process and fiddle around to smooth out lines and delete anchors that are not needed. This is the most boring and laborious part for me as I’m not a fan of digital stuff really.
I then have to take each word that I’ve refined and line them up on the appropriate page size. That sounds pretty easy but I’m still getting the hang of Adobe programs so it was definitely worth mentioning that I need to line everything up so it looks right on the page.
Luckily when that’s done it’s pretty straightforward as long as no changes need to be made.
It’s important to make the black as black as possible so adjust your letters in Illustrator and turn your printer settings up to high quality to get the best print. To foil onto this it MUST be printed using a laser printer, it doesn’t work on inkjet. The foil sticks to the carbon and that’s why it needs to be as black as possible.
Next all there is to do is apply the foil to the print. I use a fancy laminator which is basically a normal office laminator but it has different heat settings. You place the print in a carrier sheet (which is like a laminating pouch that doesn’t stick together) cut the foil to size, place on top and run it through the laminator.
And there you have it! One quote hand lettered and foiled to create a unique and original art print.
I’m hoping to do more like this in the future so if you’re interested pop me an email or comment below!